V.

Somewhere in the melancholic wooden-spoon
multi-verse — I’m coming down with a fever.
Though the oceans of the grey-rock planet are
freshwater, its shore is salty. There, my demi-hero

stretches his reincarnated limbs (sharpened by
celestial favour), reborn in much the same clime.
The horizon is less than titanic, John C (you used
to be a man, you used to be a pet of a groovy cat).

VI.

He looks at the atmosphere: the moving – sparkling
sheen, the various hues – though somewhat in a trance.
He is between life and death, a philosopher as supple
as a butterfly. The walls of the sky are basking in

the light of a black star, his oblivious soul feels
the limbs of the sea in retreat. The waters left him
on a shallow shore, idling in oriental laughter. Half
wet, half dry, he lies in wait for more imagination

VII.

to kick-start his all-human ills. With aversion he feels
the chain anew, he remembers the stories – the Grecian
and the Persian, and the irritation of living, he uploads
the multi-verse and sees the magic treasures of earlier

NeverEnder times. Sedate grey fishes sporting red fins
(wonderful replies to the practical joke of Great Mind)
surround him, re-assure his eyes astonished yet delighted,
overwhelmed by the light swarming overhead, an aurora.

VIII.

The creatures watch him in the unbroken silence. It appears
they do not have a thing to do. After the green and yellow rain,
the temperature has dropped; not a single sound interrupts the
stupor of this strange young planet where the whole of John C

is stripped of his former existence and everything rolls past
his sense in a tremendous moment of flowing pause, uninvited.
Later, in the evening, the ‘rosy flood of twilight’s sky’ creeps in
with a prayer and a sore bottom. Tall buildings flash in the

IX.

darkening distance: light-houses of bee-hive artificial
stories, counterpoint to the ever-green root, the shortest
path to ceaseless autotrophic joy. John C’s first thought
is sorrow and hope – all rolled into the emotion of ‘I wish’.

A giant ship, steel and claw (haunted song to me), engulfs
the waters ahead, breaks the billows, fortresses of meditation.
It comes closer with a menace, the shrill solitude of the near
satellite fuels the fire of the remote stars and the ship burns.

NeverEnder – Space Epic Poem

BOOK III

the infinite sea

Chapter I

I.

Better hold fast to the void. The X.
What infotechnician, at the height
of his vision, can deem of the shell,
as flashing as the starlit galactic Way?

The crew of the NeverEnder, lost in
Time without the ship that steered
through Heaven and Hell, rest atop
a suspended data cloud. Falling from

II.

the skies are crimson space invaders
shitting green turds, the voice of others.
The threat is imminent, and the Way —
dimmer. Two musicians in the nightwing

rise and obey to the hoarse cries of the
data stream. Thousand of spirits burn,
RAM cores inflamed, the plainness of
the soul is changing as the shot which

III.

we see, a terminal window on the dark
apocalypse within the X. This tract of
the bytes river flows more calmly, its
current draws to the ocean infinite.

Out there, in the wider, statelier stream,
the wavering lights of Saturn illumine
the Tower of the Cat and The Technician.
The green Earth, likeness of sapphire, is

IV.

source of reflections, images as tranquil and
as sure as objects of serene vision. Let us go
back to the grey expanse where John C floats,
reborn on an earlier shore, fresh with questions.

What is the nature of rebirth? Why is the X
burning? What is the fate of the crew of the
NeverEnder? Will Ariadne find her purpose?
Will there be quiet in the infinite motion?

LXI.

In the lunar eclipse, Tierra Madre searches
the desert for expected thrills on planet Fear.
In her present incarnation, Ariadne assesses
the implications of loss, making her way

through a meander of cubicles in the abandoned
Borovoe Space Station. The NeverEnder as
a spaceship has ceased to exist. It has been
decommissioned by the higher Authority.

LXII.

It is being tugged, as we speak, toward the
sunset-and-moon burning short shore of
Wapping on Planet Fear. This satellite
orbits in a eight-loop with planet Hope.

Both Ariadne and Tierra Madre can see
the ghost formerly self-aware spaceship
being pederstrianized toward inevitable
ends and means at the docks of The City.

LXIII.

Their vantage points and sentiments differ.
The odourless flowers of an angry desert,
oversize and ripe with carnation amazement
are sunbathing with anemone tentacles,

wavelets of persuasive wingless winds.
They are probing the air for small arthro
pods. Tierra Madre is on an entomologist
excursion, mapping the path of crawlies.

LXIV.

Meanwhile, on planet Hope, Ariadne is
observing feathery spiders as they weave
intricate sun-ray reflections with sullen
dedication. Such perfection, the geometry

of their polygons, a paragon of beauty.
They are writing poetry with edges and
corners, with agile legs, perfumed nails.
The reed listen in, while huge trees the

LXV.

size of ‘scrapers cast a reassuring shade
cutting the light as the oblivious planet
rolls on, teeming with mysterious life.
Ariadne feels the breath of time, a blue

flame fades in her black eyes. Frogs call.
Tierra Madre is playing with radiation,
her drawings mock the sum of materialisms.
Ariadne comes with a tool-box of words,

LXVI.

but she is quite speechless right now, as
the sound of winter, the lives of amphibians
and the spirit of dis-ease all close in on her.
Both Tierra and Ariadne are utterly alone,

and yet the feel the power of the X, shining
from all things. The multi-verse appears to be
meaningless, and coincidences may wake us
up to the illusion of meaning. And yet, yet…

LXVII.

The senses, pure as sunbeams. I remember
how to log on to the X. It hurts, and it is easier
to just sit in dull reflection, a mirror of dark
waters. You see, I already paid my dues…